LINbooksontheauthor:MyMemoriesofOldBeijing:Morethanhalfacenturyago.LinYingsonwiththelittlegirlwithMomandDadcomeoverfromTaiwanarrivedinBeijing,oneinanareasouthofthealleyLane.Notchedruinsoftheancientcapital,smokeCamelBells,wherethevillain::AllBritishfeelsostrange,anditfascinating.Madwomaninfrontofthehall,asmallpartnerNiuerbulletwelt,apairofthievesalonggrassland,SongMaovernightfollowingthewetnurse.sinkingfurtherintothegroundfloorwithafatherwhofailedtosleep::TheyandtheBritishhavehadason,humanism,livingtogether,stillringingintheirvoiceandfacialexpression,theyareallquietlyleave.Whysuchamiserablebusinessworld?SensiblebutarenotfluentinEnglishfailtoponderdeeply.Fiftyyearshavepast,andnowcometoBeijingfromallthisandstillaffectiveWangAnyi.It'ssadthattosurvive,thensprinklelethargiclover,sheChildishnessengravedinthememory,neverdissipated"spent25yearsinBeijingIcansayisthegoldeneraTheglazedtilesandtheNationalPalaceMuseumcanreflecteachother.,anareasouthofthealley,courtyard,thedonkeyXishanMountain.andthebellhungfromtheneckofthecamelIgavetheseendlesssourceofinspiration. 　　"directedthefilmadaptationofthesamename--LIN:WuYigong,ZhangMinthirdZhenyaoperformed:ChinaJinjiAwardforbestfilmdirector.BestSupportingActressandBestMusicAwardManila,thePhilippines,thesecondInternationalFilmFestivalAwardforBestFeatureJinyinBelgrade,Yugoslavia,the14thInternationalChildren'sFilmFestivalBestFilmAwardthinkingQuito,Ecuador,the10thInternationalFilmFestivalCitysecondprize--EquatorPrizeWuYigongfilm"MyMemoriesofOldBeijing"throughalittlegirl'sdisplayofpurevisionofthe20thcentury,20yearsoldsocialoutlookReviewingthesituationinwhichthepeopleleadalifethatisovershadowedbygloomy.Jewishfilmswiththeoriginalstructure,anddirectedexcludedfromthebeginning,climaxandendedupcluestotheplot."It'ssad,deeplove"asthekeynoteofthestructureusingbeads,linkedupwithBritishFengnu:xiuzhenson.Britishsonandthieves,andlactatingwomenSongMaYingsonofnocausallinkbetweenthethreestories.Thisfilmisthestructurefunctionoftheprism,thenfromadifferentperspectivereflectsthehistoricaloutlookformedakindofpsychologicalandemotionalcontenttotheprincipaltoshapeimagesandvoicesmanifestedintheformofProsefilm."MyMemoriesofOldBeijing",thechoiceoftheactorsanddirectorsusedproperly,theBritishson(ShenJie)Hisbright,Purity,fascinatingandeyeenoughtoexplorethelanguagefavorably;SongMa'ssimple,subtle,Theshowturnedintothatpainfulera.Directordidnotdeliberatelyseektodirecttheso-called"dramatic"effect,butthatthestrengthofthefilmissilentontheend.Infact,thefilmhasonlytheword"departure"--anindividualfromeachotheroccasionallyinthecourseofalife,friends,Butareallgone.XiuzhenandNiuerway,thethiefis,SongMawaslike,finally,aseventhefather.Inthefinalfiveminutes,silentfilmdialogue,butmainlystaticpicturewithnobigmoves,itdoesnotreallymatterthecircumstances.Butbyusingcolor(largetractsoftheyoung),totherhythmofimages(afast,Hongyeclose-upsthatruncountertothedirectionofmovement).andatthismomentwithjusttherightmusiccancreateasenseofmelancholystackofskills,etc.,toconveyth